Technical Specifications

Source media formats

CANON C500 4K RAW SONY F65RAW SONY F65 SRFile SStP ALEXA ARRIRAW ALEXA ProRes 422 and 4444 ALEXA DNxHD OpAtom RED Epic and RED One MX R3D including HDRx OpenEXR uncompressed 16bit format support Uncompressed DPX, TIFF, QuickTime JPEG2000 J2K and MXF Phantom Flex, HD Gold and 65 .cine RAW SI-2K Cineform RAW Go Pro, iPhone, Panasonic P2 Canon C300 / Canon 1D/5D/7D H264

Extensive metadata support

• ScriptE metadata
• Broadcast audio BWAV including header metadata
• QTake XML, ARRI Alexa XML, Codex XML
• ARRI Lens Data System LDS.XML frame-based metadata support

High performance and extremely open architecture

• Native 64-bit application
• Realtime playback of most RAW camera formats with highest quality debayer
• 32 bits per channel image processing
• Shared SQL database for all metadata
• Python scripting for flexible customization
• PHP server side script access to shot based metadata
• XML based format support for various metadata

Encoding formats

• Avid DNxHD MXF/AAF and DNxHD QuickTime media
• Final Cut Pro ProRes (ProRes 422, HQ, Proxy, LT) media
• H264 for web delivery, iPhone and iPad, etc.
• MPG2 for authored DVDs, chaptered Blu-ray, etc.
• SONY SRFile SStP
• JPEG 2000 J2K and MXF, both IMF and DCP
• QuickTime files with various codecs
• Uncompressed 10 bit DPX, Quicktime, TIFF
• Still frame formats such as: TIF, JPG, etc.
• WAV broadcast wave audio files, stereo and multi channel
• Export various metadata incl. CMX EDL, FLX, ALE, FCP XML, ASC-CDL, CCC, etc.
• Automatic PDF report generation

Color correction and image processing

• Full IIF-ACES workflow support with IDT, RRT, ODT
• ARRI ALEXA .look file support
• 1D and 3D LUTs in .cube and .3dl formats
• ASC-CDL import / export in CMX EDL, ASC CCC (Color Correction Collection)
• Import/export reference images in TIF or DPX format
• Primary color grading - master RGB color processor with saturation, contrast, high, mid and low corrections.
• Autodesk Lustre® compatible primaries and printer lights grading
• Sector color grading - six sector selective color correction for R,G,B,C,M,Y
• LUT node - with floating point 1D and 3D mesh LUTs
• Resizing - high performance resize engine with high quality filtering
• DVE - reposition, resize, rotation, flip&flop
• Burn-in: text burn-in of multiple metadata including KK, TC, user text, watermark, logo burn, and letterbox

Sound syncing

• Automatically sync audio, based on timecode in BWF for smart slate shoots
• Analyze audio to extract clap sound data for semi-automatic sound syncing
• Automatic image analysis for smart slate timecode reading
• Manual sound syncing with sync slip and audition
• Entering scene/slate/take/cam/select info from BWFfile header
• Cut roll into shots rendering multiple audio files to stereo stream
• Multiple sound mixdown templates for different deliverables
• SDI embedded and balanced AES/EBU audio through DVS break-out-box

Stereoscopy

• Realtime dual-channel playout of DPX, R3D
  (Requires dual Red Rockets)
• Realtime dual-channel playout of ARRIRAW
  (Requires dual GPUs)
• Automatic color matching between left and right eyes
• Stereo 3D depth grading
• Automatic spatial alignment and corner pinning
• Side-by-side, over-under, interlaced stereo modes
• Two-channel stereo HD output
  (Requires DVS Atomix or Atomix LT)