COLORFRONT DAILIES SYSTEMS REMAIN THE ON-SET FAVOURITES AS NEW VERSIONS LAUNCH AT NAB 2015
NAB 2015, Las Vegas, April 13 2015 – Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today revealed how its products continue to be selected for high- profile productions, as the company prepares to take the wrappers off the very latest versions of its On-Set Dailies and Express Dailies Systems at NAB 2015, April 13-16, in Las Vegas.
Colorfront On-Set Dailies and Express Dailies are the most widely-adopted on-set dailies processing systems, used by elite Hollywood production suppliers, blockbuster motion pictures and high-end episodic TV shows.
Recent and forthcoming productions deploying Colorfront dailies products include: Avengers: Age of Ultron (Marvel), Fantastic Four: Days Of Future Past (20th Century Fox), The Revenant (20th Century Fox), Mad Max: Fury Road (Warner Bros.), Jupiter Ascending (Warner Bros.), Pan (Warner Bros.), Tarzan (Warner Bros.), Focus (Warner Bros.), Jungle Book 2 (Disney), Tomorrowland (Disney), The Great Wall (Universal), Furious 7 (Universal), Chappie (Sony Pictures) and Terminator: Genisys (Paramount Pictures).
“Since their North-American debuts at NAB 2011, Colorfront On-Set Dailies and Express Dailies systems have continually been the weapons-of-choice for major motion pictures episodic TV shows,” said Aron Jaszberenyi, managing director of Colorfront. “We’ve achieved this success by maintaining a technology leadership position, being the first to market with many new features, and by providing simple, reliable workflow tools."
During NAB 2015, Colorfront will showcase the 2015 versions of its On-Set Dailies and Express Dailies systems, which both deliver support for the very latest digital cinematography cameras, along with new toolsets and workflow capabilities.
Colorfront leads the field in supporting the latest UHDTV/digital cinema cameras and editorial formats to hit the market. Both On-Set Dailies and Express Dailies feature the very latest ARRIRAW De-Bayer capabilities, delivering the industry’s highest-quality real-time De-Bayering of ARRI ALEXA OpenGate and ALEXA 65 formats at 4K and beyond. Their capabilities have also been extended to include support AJA Cion RAW, Canon XF-AVC Intra as well as Panasonic Varicam 35’s AVC-Intra 4K444, 4K422 and 4K-LT compressed RAW formats.
As production and post go beyond HD, Colorfront is also highlighting the rendering of 4K DNxHR for AVID MediaComposer, enabling content creators to shoot, deliver, edit and finish in 4K. Colorfront has long been a champion of the Academy’s ACES color workflow and is showing full pipeline support for ACES 1.0, now shipping. Colorfront On-Set Dailies 2015 also supports Interactive HFR Frame-Blending – a unique creative capability giving realtime control over the motion blur of objects in an HFR sequence.
Colorfront will present the new Transkoder 2015 during NAB 2015 c/o AJA (Booth #SL2505), Panasonic (Booth #C3607) and Alt Systems (Renaissance Hotel).
Colorfront is one of Europe's leading Digital Intermediate and post production facilities, based in Budapest, Hungary. The company was founded by brothers Mark and Aron Jaszberenyi, who together played a pivotal role in the emergence of DI as the original authors of Lustre, Autodesk's best-selling DI grading system. Combining this in-depth expertise with the in-house development of additional proprietary technologies for dailies processing, conform and finishing, Colorfront delivers today's most advanced technologies for digital dailies, DI grading, VFX, digital assembly of entire feature films, online and offline editing, digital opticals for features and trailers, digital cinema mastering and deliverables. Colorfront's pioneering technology developments have earned the company Academy and Emmy Awards.
For further information please visit www.colorfront.com.