Showcasing the cost effective, straightforward process of finishing, mastering and delivering according to the latest standards, while protecting valuable media assets for the future, Colorfront's IBC 2013 demo includes the UltraHD short movie Fly.
Shot on Canon C500 in CanonRAW 3840x2160 UltraHD @ 60FPS to a CODEX On-board S Recorder, with additional footage shot on Canon 1DC in 4K@60p. Dailies were processed on Colorfront On-Set Dailies, with h264 and ProRes HQ deliverables, then edited in Final Cut, and conformed, color graded, finished in Colorfront Transkoder.
Colorfront will be showing Fly on the latest 2014 version of Transkoder at IBC at the AJA booth #7.F11, running on HP Z820 workstation, the latest NVidia GPUs, with AJA Corvid Ultra and a SONY PVM-X300 4K broadcast monitor.
EFILM continues to lead the way in imaging science
NVIDIA presentation on EFILM's use of Colorfront On-Set Dailies and GPU technology.
NAB 2013 - Express Dailies
Light Iron – Harnessing the Power of Express Dailies
On-Set Dailies and CinePostproduction Copra
Nice video from our friends at CinePost Berlin. On-Set Dailies can be tightly integrated with and export directly to the Copra iPad dailies review app.
On-Set Dailies and On-Set Color workflow video.
Clips are from the feature Styria, the first ever Alexa ARRIRAW feature film shoot.
On-Set Dailies is at IBC 2010
Presented by Florian 'Utsi' Martin, colorist at ARRI Film & TV