FREAK FUSION CABARET - PANASONIC VARICAM 35 HFR

Directed and Produced by Oliver Farkas

Colorfront Interactive HFR Frame-Blending supports a wide range of digital cameras that can shoot 120FPS HFR.

At NAB 2015, Colorfront showed Interactive HFR Frame-Blending, a unique creative capability giving realtime control over the motion blur of objects in an HFR sequence. Colorfront is demonstrating Interactive HFR Frame-Blending using Panasonic Varicam 422Lt RAW footage, shot at 120FPS with an open shutter, being deBayered in 4K on-the-fly.

Using a simple slider interface, this new capability allows users – both on-set and in post production – to incrementally adjust shutter angles on HFR footage between 72º and 360º, and to perform realtime frame blending. Along with providing control over motion blur, this new capability also delivers the ability to retime shots and create speed ramps – with the results being seen immediately, playing back realtime.

FREAK FUSION CABARET

A Rebel Against production
Produced and Directed by: Oliver Farkas
Director of Photography: Levente Toth
Music: Bruce Springsteen - State Trooper (Trentemøller Mix)
Shot on Panasonic Varicam 35 in 4K422Lt RAW at 120FPS with a fully open shutter at ISO 400 using Cooke S4 lenses | Edited in Final Cut X | Dailies on Colorfront OSD, conformed, graded, frame blended and rendered in Transkoder using Colorfront Engine pipeline built on ACES 1.0

DRUMMER - ALEXA XT HFR

by Oliver Farkas

Colorfront Interactive HFR Frame-Blending supports a wide range of digital cameras that can shoot 120FPS HFR.

At HPA’s 2015 Tech Retreat, Colorfront showed Interactive HFR Frame-Blending, a unique creative capability giving realtime control over the motion blur of objects in an HFR sequence. Colorfront will demonstrate Interactive HFR Frame-Blending using ALEXA ARRIRAW footage, shot at 120FPS with an open shutter, being deBayered in 4K on-the-fly. Using a simple slider interface, this new capability allows users – both on-set and in post production – to incrementally adjust shutter angles on HFR footage between 72º and 360º, and to perform realtime frame blending. Along with providing control over motion blur, this new capability also delivers the ability to retime shots and create speed ramps – with the results being seen immediately, playing back realtime.

FLY - Canon C500 & 1DC

by Oliver Farkas

Showcasing the cost effective, straightforward process of finishing, mastering and delivering according to the latest standards, while protecting valuable media assets for the future, Colorfront's IBC 2013 demo includes the UltraHD short movie Fly.

Shot on Canon C500 in CanonRAW 3840x2160 UltraHD @ 60FPS to a CODEX On-board S Recorder, with additional footage shot on Canon 1DC in 4K@60p. Dailies were processed on Colorfront On-Set Dailies, with h264 and ProRes HQ deliverables, then edited in Final Cut, and conformed, color graded, finished in Colorfront Transkoder.

EFILM continues to lead the way in imaging science

NVIDIA presentation on EFILM's use of Colorfront On-Set Dailies and GPU technology.

NAB 2013 - Express Dailies

Light Iron – Harnessing the Power of Express Dailies

On-Set Dailies and CinePostproduction Copra

Nice video from our friends at CinePost Berlin. On-Set Dailies can be tightly integrated with and export directly to the Copra iPad dailies review app.

On-Set Dailies and On-Set Color workflow video.

Clips are from the feature Styria, the first ever Alexa ARRIRAW feature film shoot.

On-Set Dailies is at IBC 2010

Presented by Florian 'Utsi' Martin, colorist at ARRI Film & TV


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